I would argue that the soundtrack is one of the few areas that Cyberpunk did not succumb to a static existence - yet it is almost too slick or maybe it is just on that knife edge. The repetition of old orders, of old ideas is easy (just look at the "political decisions" in PoE

eadfire - its history rehashed in a new skin). What about new ideas, new interpretations? Rage Against the Machine and Brass Against are perfectly cyberpunk, yet why include them when their message is too pointed? Does Cyberpunk blues need synth? Maybe the ultimate act of rebellion is something akin to the Yoshida Brothers playing blues on strato-shamisen? But, we don't see that because ultimatley the lens is narrow (at least as far as I know).