That was a really insightful and intellectually written article.
Thanks IGN!

Thanks IGN!
Oh, don't mind us, CDPR, we're just chilling while you insist on keeping on doing this.three CD Projekt beards play through 30 minutes of The Witcher 3: Wild Hunt.
He started out with a point.He could have had a point. CDPR's games are a result of vastly different cultural influences. But I was lost half way through. At least he had the temerity to criticize American and Japanese developers on fair ground.
Apart from quibbles about cultures that don't actually have myths of the Wild Hunt, fair enough. But then he loses it in an exposition of the sort I could only write while stoned or asleep. (Yes, I once had a prof ask me "Did you write this at 2 in the morning?")Where America looks to the bombast of Bay-ism and Japan covets cartoonish bosoms, Eastern Europe likes books. The Witcher 3’s menaces are ripped straight from post-medieval folklore most will know little of, and The Wild Hunt itself is its myth of the dead and gone’s unseen epilogue. All throughout Europe, stories have always taught, stories have always healed. Where do you think most of Fables (and by extension, Telltale’s The Wolf Among Us) hired its cast?
Say what?Eastern Europe has been damaged so thoroughly by human history its collective existential philosophy is unknowable by the standards of the rest of the world, though the body does not follow the fortitude of the mind. Japan may be the only functioning post-apocalyptic society in the world, but Eastern Europe’s apocalypse is perpetual.
Umm, no. Japan is post-apocalyptic. EE is ongoing apocalypseWhoever wrote this article describes Eastern Europe like it's some kind of post-apocalyptic wasteland where people live in some painful, horrendous reality.