By the way, as an amateur writer I can tell one thing. You can't rape your story. It just doesn't work. You create a setting, a goal, some characters, then put all that in motion and the story will write itself. And for example, when one of your characters decides to kill another, the only thing you can do is to shed some tears for them, because it's in their nature. Also you can't deny yourself. The story you write will always merit from what you know in real life. Of course you can sail to strange waters, but then again your story will decide in the end.
I give a closer example. When I was writing 'New Moon', I planned all different kinds of characters first. Then the story started to unfold, and suddenly half of them were obsolete, the other half were in need of adjustments. If I still had put in all of them just for the sake of having them, they wouldn't have been authentic.
Also I think that if someone writes something, then it's up to them how they do it and which topoi they use. Then how the readers interpret it is up to the readers. And that is not necessarily a uniform thing either. Let's say I wrote a poem that praises slavery. Then in the Roman empire it could have been seen as a documentary of glory. In the modern western society it would be either stigmatised and banned or cherished and used in humanitarian campaigns.
What I'm trying to say here is that a work of art, - be it a book, a picture, a film, a game, etc. - has its right to exist on a universal basis while unable incorporate the universal truth by definition.
And as closing let's watch the fitting South Park episode, "Mr. Hankey, the Christmas Poo" together!
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Official link provided if you don't have a copy at home.)