M'kay. I can see your point.Dona said:
That they were designed purely for men and that, when the problem is brought up, people will reply with "I see no problem there".
M'kay. I can see your point.Dona said:
That they were designed purely for men and that, when the problem is brought up, people will reply with "I see no problem there".
Like was said before, Geralt was not the center of TW1. It was Salamandra, Scoia'Tael and the Order. Geralt was as much of an observer, who could participate if he wanted by joining one side. The only subplot that Geralt was the center of was the identity quest (which was great). In TW2, Geralt was the center of the memory subplot (not as good).secondchildren said:Exaclty like you said, about Roche, Iorveth, Letho, Loredo... everyone is absolutly more interesting that a mere mutant and monster killer, simply going around and watchin the situation, like an external observer, not like a main character and a director of the situatio. Now, I do understand, that a witcher is not a protagonist in the big plan of politics and personal greed, but in TW1 you were the centre, not just an observer.
And that's good imo, because it gives you a whole different perspective. A more political one (Temeria especially). This gives incentives to play the other side and experience something very different.secondchildren said:Remember in Roche's path? You know most of the details about Saskia, and the Lodge only via journal.
Yeah. I was disappointed with the soundtrack as well. Vergen by Night & A Nearly Peaceful Place were good tracks but otherwise it was pretty forgettable.Agbeth said:2.I don't like TW2 soundtrack. Not saying music is bad but its nowhere near TW1 music.
How so?Agbeth said:3.TW2 makes Geralt look like a hero which isn't my style. Prefer hunting down salamandra for revenge than saving kingdoms which I'd rather see them fall
I thought the same, and I really like it that way. For that reason, I don't really have a story preference.eskiMoe said:I thought the first game was more like the short story collections & the second game more like a book from the witcher saga.
I agree with your points but fighting beside kings, helping kings?, making some sort of political decisions was too much for me.KnightofPhoenix said:How so?
Geralt's primary motivation is to clear his name. As the plot goes on, his motivation can still be that, plus trying to find Triss and / or recovering his memory (Act 2 specifically). He can still be indifferent to the political situation (or he could not depending on how you rp him).
EDIT: if anything, TW1 follows the traditional hero formula much more. You save the day at the end by killing Aldesberg in an epic setting and his evil mutants.
In TW2, Letho more or less succeeded and his death would not change that.
I also thought the first game's story just worked better in a game. The story is great in the second game but like I said earlier the structure of it just affects negatively to other aspects of the game.. :/ It's more suited for a movie.kyogen said:I thought the same, and I really like it that way. For that reason, I don't really have a story preference.
Same here.kyogen said:I thought the same, and I really like it that way. For that reason, I don't really have a story preference.
A 2-3 hour movie would not have been able to portray the political intrigue adequately at all. TW2's story is far more complex than TW1's.eskiMoe said:I also thought the first game's story just worked better in a game. The story is great in the second game but like I said earlier the structure of it just affects negatively to other aspects of the game.. :/ It's more suited for a movie.
Didn't claim it wasn't.KnightofPhoenix said:TW2's story is far more complex than TW1's.
This presupposes heterosexuality. As a bisexual woman, I enjoy looking at Triss', um, assets just as much as the men do. I can simultaneously enjoy looking at her AND think that she's dressed strangely for her environment. A sleeveless hoodie? If it's cold, she'll want real sleeves, and if it's hot, what the hell is the hood for?Dona said:That they were designed purely for men and that, when the problem is brought up, people will reply with "I see no problem there".
I can appreciate female body just as well, that's not the problem. Triss is wearing nice clothes in TW2, I quite like her hoodie and boots (those blue ribbons! *_*) It is more that every female has an excuse to have her boobs out on display, they are (overly) sexualised while men are not (look at Geralt pulling his pants up the moment he's done with a girl, hahah. What's up with that?) I'm all for everyone getting eye candy, so where's my Witcher booty? :CCorylea said:This presupposes heterosexuality. As a bisexual woman, I enjoy looking at Triss', um, assets just as much as the men do. I can simultaneously enjoy looking at her AND think that she's dressed strangely for her environment. A sleeveless hoodie? If it's cold, she'll want real sleeves, and if it's hot, what the hell is the hood for?![]()
Give everyone eye candy, I say. That way, I get to enjoy both sets.
Let's not forget the other sorceresses are vain about their beauty. They not only wear more revealing and lavish clothing, but heavy makeup as well - look at Phillipa. To me it seems all NPC's are dressed according to character.Dona said:@DragonsDream
I'm right there with you :> Saskia better be in the next game, haha.
This is a problem with ALL female characters, in both games. Their visual design is down to "lol tits and tight pants", although Triss looks a lot better in TW2. Too bad she lost quite a bit of her personality :/
I know that :> That's why I said everyone seems to have a 'valid' excuse to dress in revealing clothes. Sorceresses are vain, scared of being old, using magic to be beautiful (and as Blothfur said in another thread, using this to stay in power). Saskia is, well, a ploughing dragon and using sex appeal to be a leader. Ves, I don't even know, I'd wear heavier armour if I were a ploughing soldier, so whatever. And don't let me get started on make-up, yes, super heavy eyeliner is such a great idea if you know you'll be running around and sweating all day. Everyone who thinks it IS a good idea, please apply the same make-up and spend an hour in a gym. Have fun with eye infections!slimgrin said:Let's not forget the other sorceresses are vain about their beauty. They not only wear more revealing and lavish clothing, but heavy makeup as well - look at Phillipa. To me it seems all NPC's are dressed according to character.
This has always been an issue story tellers in games struggle with. Oblivion being the easiest example:eskiMoe said:I mean why the hell would Geralt take Gargoyle contracts in Act 3 when Triss was being tortured basically under his feet? It felt stupid.
Dona said:I know that :> That's why I said everyone seems to have a 'valid' excuse to dress in revealing clothes. Sorceresses are vain, scared of being old, using magic to be beautiful (and as Blothfur said in another thread, using this to stay in power). Saskia is, well, a ploughing dragon and using sex appeal to be a leader. Ves, I don't even know, I'd wear heavier armour if I were a ploughing soldier, so whatever. And don't let me get started on make-up, yes, super heavy eyeliner is such a great idea if you know you'll be running around and sweating all day. Everyone who thinks it IS a good idea, please apply the same make-up and spend an hour in a gym. Have fun with eye infections!
IT IS A GAME I CANNOT WIN. But I try :>
I agree. It felt pretty ridiculous in Arkham City to fly around hunting riddles when you wereslimgrin said:This has always been an issue story tellers in games struggle with. Oblivion being the easiest example:
"You must save the world!"
"Will do!...oh look.A cave.."
I'm not sure there is an adequate solution unless you want a straight forward linear game with no side missions. That's the last thing I want, so I'm willing to live with the contradiction in just about any game. Arkham City, Saints Row, Oblivion, Skyrim, Fallout 3 - they all do it.