As we say in Italy: Non c'è due senza tre (There is not two without three)
Ciri spun on her heel and stood still for a moment, undecided, as if waiting - waiting for something that could not happen. Then she ran swiftly up the stairs. They heard the door slam.
'Too severe, Wolf,' said Vesemir. 'Much too severe. And you shouldn't have done it in Triss's presence. The emotional ties—'
'Don't talk to me about emotions. I've had enough of all this talk about emotions!'
'And why is that?' The magician smiled derisively and coldly. 'Why, Geralt? Ciri is normal. She has normal feelings, she accepts emotions naturally, takes them for what they really are. You, obviously, don't understand and are therefore surprised by them. It surprises and irritates you. The fact that someone can experience normal love, normal hatred, normal fear, pain and regret, normal joy and normal sadness. That it is coolness, distance and indifference which are considered abnormal. Oh yes, Geralt, it annoys you, it annoys you so much that you are starting to think about Kaer Morhen's vaults, about the Laboratorium, the dusty demijohns full of mutagenic poisons—'
'Triss!' called Vesemir, gazing at Geralt's face, suddenly grown pale. But the enchantress refused to be interrupted and spoke faster and faster, louder and louder.
'Who do you want to deceive, Geralt? Me? Her? Or maybe yourself? Maybe you don't want to admit the truth, a truth everyone knows except you? Maybe you don't want to accept the fact that human emotions and feelings weren't killed in you by the elixirs and Grasses! You killed them! You killed them yourself! But don't you dare kill them in the child!'
'Silence!' he shouted, leaping from the chair. 'Silence, Merigold!'
He turned away and lowered his arms defencelessly. 'Sorry,' he said quietly. 'Forgive me, Triss.' He made for the stairs quickly, but the enchantress was up in a flash and threw herself at him, embracing him.
'You are not leaving here alone,' she whispered. 'I won't let you be alone. Not right now.'
You already made me cry over this shit a long time ago. I have built some resistance against your dirty sorcery, witch!
You think you can play with me so easily? I'm not your toy. You have no power he... no, that wasn't a teardrop, I swear.
http://forums.cdprojektred.com/thre...LERS-Oh-well?p=1861774&viewfull=1#post1861774
Well, that was almost two months ago. Are you planning on making me feel bad in any shorter intervals? I HOPE NOT.
You think I forget? You think I forgive? For now, I'll just try to endure and survive this, but I shall claim my vengeance!
Holy shit, book Triss is just amazing. Beautiful story of a maturing woman fighting with her inner demons. Breathtaking.
A very long and hard path with so many stumbles, wrong decisions and sacrifices... Every obstacle which Triss had to
face made her even more magnificent of a character. It is what she should be praised for, the difficulty and damage of
her character and what she had to deal with and move on. Very much just like Yennefer herself, they both fought hard.
Sometimes even between each other. Every mistake, every bad decision fills me with admiration and sympathy. Triss
in the books is a character very realistic, one you can relate to, and perhaps see a little bit of yourself in her. It was the
immense weight she had to carry inside, the weight of ugly fucking demons of fear, rejection and insecurity - that made
LotL Chapter Twelve possible. More I think about it, more sense it makes. Triss and her path is a symbol... We can all
overcome our fear if we're determined enough, no matter how hard it is... We just have to fight back and hope for better.
CDPR decided to make her character a lot easier, something inbetween mature and immature. Cursed insecurity again.
She managed to defeat it a long time ago, but there it is. I kind of feel like her character lacks the meaning of the path
Triss had to survive in the books, which was nothing easy at all and something very admirable... And because of that,
I tend to lose my sympathy rather quick. I don't feel good about that creation. Just my opinion on The Witcher 3 Triss.
I have already heard that voice, Yennefer thought. From those wooded lips without a droplet of saliva left to wet them.
From those lips paralysed with fear. I have already heard her speak with that voice... On the Hill at Sodden.
When she was dying in fear. Now she is dying in fear again. Until her time comes, she is going to be afraid.
Because those who cannot defeat their weakness will be dying in fear until the end of their days.
Another thing: imagine CDPR Triss looked like this (as in books). Credit goes to http://cloudsdevourer.deviantart.com/
I just don't recognize TW3 Triss and fail to sympathize with her character. Having the ending with Triss is something
I can't do, reading the books for over 10 years has a very little impact on me, compared to her actual TW3 portrayal.
With this I'm even more disappointed than with the lack of Yen and Ciri content... I suppose I can understand game
design choices (androcentric narrative design) more than being lazy about character design (Triss, Dijkstra, Eredin).


