Writers could actually make a lot out of this, even the suicide ending. Sequel: Shot is heard, camera goes back to V. Smoking gun, a hand on V's wrist pulled the gun away from the head. A voice: "Thought you would get out that easily? ..." New segment opens up ...I don't know if this will give anyone some sort of hope or maybe some inspiration. But with the Arasaka ending, there is a way out of that one - at least, if you sign yourself over. This is due to Michiko Arasaka - the girl genius - who is mentioned by Goro etc. She's NUSA aligned, NUSA - and Militech are basically one of the same at this point, they're heavily interlaced. If someone was to get V out it would be Michiko. The question, however, is more like 'why', really?
Honestly the same is like that for most things regarding V, what is going to happen to V that allows for the continuation of their story, where Johnny Boy, is more likely to be written out and becomes a side character rather than a near on 'main character protag'.
I mean in every ending, barring the suicide one - they're going to have to make that work. Still with that one, when Johnny is in your body it's kind of weird for me. Like, what can happen there where V regains their body other than forcibly hacking their own chip and taking it over as an AI?
Arasaka ending: Takemura got time to think, watched the developments, noticed Arasaka is up to no good concerning V, decides to free her, 'cause it's the honourable thing to do. But first he puts together a team of people he can trust in this matter - people who got help from V or love V.
We could make up a lot, but as I've written before, I don't want to fix CDPR's shortcomings in my mind. I don't see this as my task as a gamer, as a customer. I expect them to deliver something that is more fleshed out or tangible. They don't have to get explicit all the way, but they have to hint strongly at something hopeful, in my opinion (for some endings at least). As it stands now, I don't see this. I only see that they strongly hint at V's inevitable death. Take the Arasaka deal with the devil ending again as an example.
There is this one guy in this thread here who keeps telling us to mind the little details. I always do that. Take a look at the facial expressions, the gestures, the pacing of V's movement. V is incredibly vulnerable in this scene. He/she knows this is the end of the line. There is actually no hope in him/her to come back from this whatsoever. The terms of the contract were painfully clear. Even the adjustment of his/her necklace is masterfully done and shows that this is the only thing he/she now has any control over. Making himself/herself passable looking ... Leaving the stage with some last shred of dignity. Then the music sets in and at this point, there is the only vague hope we can get out of this scene, since the title playing seems to be called "Never fade away". But really, that's so freakin' thin ...


