now there is still a chance for them to recover, but if they do that, there won´t be any.
Best written ending is The Devil (going with Arisaka). Best overall ending would be the secret ending - going in solo through the front door, surviving, and taking Path of Glory end. Rogue being alive in the Afterlife made things feel so much better.
More likely to be Saburo honestly, since we already knew that Silverhand was dead. I find it ironic though that they thought about bringing back a fictional character to life, but not the player
I mean, if they release a new game now, who's going to buy it? it would become a meme
I am not going to preorder ever again from them. I bought my first preorder, my first and only time i trusted. Next time i will wait and see if its worth my time. Not just money, my time which is much more valuable
Things most have gone lost in translation.
That sense of immediate and material concerns is something Pondsmith tried to drive home in his conversations with CD Projekt about the game. “It can not be about saving the world. You’re saving yourself or your community,” he says. “The stakes have to be something that involves the player. You can’t just say, ‘The world is craptastic and you can’t do anything about it.’ No. You don’t have to save the world, but you need to be able to save your mother or the apartment you and your friends live in. You need to make sure your neighborhood isn’t rolled over by the boostergangs.”
www.wired.com
That sense of immediate and material concerns is something Pondsmith tried to drive home in his conversations with CD Projekt about the game. “It can not be about saving the world. You’re saving yourself or your community,” he says. “The stakes have to be something that involves the player. You can’t just say, ‘The world is craptastic and you can’t do anything about it.’ No. You don’t have to save the world, but you need to be able to save your mother or the apartment you and your friends live in. You need to make sure your neighborhood isn’t rolled over by the boostergangs.”
A Founding Father of Cyberpunk Isn't Surprised By Its Comeback
Mike Pondsmith, who wrote the tabletop RPG that inspired 'Cyberpunk 2077,' explains why the genre feels vital in 2020.
Instead we got roled over by plot-cancerThings most have gone lost in translation.
That sense of immediate and material concerns is something Pondsmith tried to drive home in his conversations with CD Projekt about the game. “It can not be about saving the world. You’re saving yourself or your community,” he says. “The stakes have to be something that involves the player. You can’t just say, ‘The world is craptastic and you can’t do anything about it.’ No. You don’t have to save the world, but you need to be able to save your mother or the apartment you and your friends live in. You need to make sure your neighborhood isn’t rolled over by the boostergangs.”
A Founding Father of Cyberpunk Isn't Surprised By Its Comeback
Mike Pondsmith, who wrote the tabletop RPG that inspired 'Cyberpunk 2077,' explains why the genre feels vital in 2020.
Pondsmith also says that the reason cyberpunk is doing well right now is because its stories feel immediate. For him, they aren’t especially cerebral. The good stuff, he says, is about immediate concerns. “We’re on the street, we have stuff to deal with,” he says. “The big questions are there, but right now I need to make sure that the street gang doesn’t bash my head in. You either get to be the hero or the victim. Everybody likes to be a hero, nobody wants to be a victim.”Things most have gone lost in translation.
That sense of immediate and material concerns is something Pondsmith tried to drive home in his conversations with CD Projekt about the game. “It can not be about saving the world. You’re saving yourself or your community,” he says. “The stakes have to be something that involves the player. You can’t just say, ‘The world is craptastic and you can’t do anything about it.’ No. You don’t have to save the world, but you need to be able to save your mother or the apartment you and your friends live in. You need to make sure your neighborhood isn’t rolled over by the boostergangs.”
A Founding Father of Cyberpunk Isn't Surprised By Its Comeback
Mike Pondsmith, who wrote the tabletop RPG that inspired 'Cyberpunk 2077,' explains why the genre feels vital in 2020.
Seems like he was wrong about that part, since it seems like some people do enjoy being the victim
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Holy shit
Nah. People obviously have little idea what cyberpunk is about. What he describes is basically the starting point of every sprawl issue.
Absolutely.
Besides, Arasaka should keep their mouth shut because they are guilty of abduction, murder and murder attempt. Thompson has it all on video. So, this is not terrrorism but rescue attempt, and Arasaka don't really need more bad PR...
And they would have to let their pants down about the soulkiller they forced alt to create.
Your red stuff isn't something Pondsmith said, thats from the interviewer. But interesting anyways.
Okay, it is weak explanation, but it's something. Btw, that's why you take media with you)
It is remarkable how this can be lost in translation. I hope that with enough driving that it'll land eventually.Things most have gone lost in translation.
That sense of immediate and material concerns is something Pondsmith tried to drive home in his conversations with CD Projekt about the game. “It can not be about saving the world. You’re saving yourself or your community,” he says. “The stakes have to be something that involves the player. You can’t just say, ‘The world is craptastic and you can’t do anything about it.’ No. You don’t have to save the world, but you need to be able to save your mother or the apartment you and your friends live in. You need to make sure your neighborhood isn’t rolled over by the boostergangs.”
A Founding Father of Cyberpunk Isn't Surprised By Its Comeback
Mike Pondsmith, who wrote the tabletop RPG that inspired 'Cyberpunk 2077,' explains why the genre feels vital in 2020.