Aight, calm down everyone. There are many different discussions going on at the same time. Since we went past 1000 posts already I think it's time someone summarised what has been discussed here, so far. I will try to do it in an as unbiased way as possible.
Aight, calm down everyone. There are many different discussions going on at the same time. Since we went past 1000 posts already I think it's time someone summarised what has been discussed here, so far. I will try to do it in an as unbiased way as possible.
We need good endings. The discussion that started it all.
- We have players that totally agree with the endings. Their reasoning: The Cyberpunk genre is supposed to have bad endings. They usually are "noir" stories that most of the times end up with the protagonist or the players on a bad or gray-area situation. Like Lovecraftian or Shakespearian stories. The story arc feels complete and editing, retconning, or adding stuff is unnecessary and will feel bland.
- We also have players that partially disagree with the endings. Their reasoning: Just because is a Cyberpunk game, it shouldn't just have bad endings. There could be just a variety of endings, both good, bad and in-between. Their peeve is just CDPR marketed the game with a "Choose your own lifepath", and in the end, all the paths lead to the same spot. They'd like more diversity on the endings.
- And we also have players that totally disagree with the endings. Their reasoning: This is a video-game. The story is excellent and the characters captivating. By killing off the main character, the game leaves a sour taste in your mouth and leaves the player depressed. Losing a character the game made you love and relate to is considered a poor move by CDPR and the game's writers. Some are even considering not finishing the main quest because of the inevitability of the story.
Our choices don't matter. The main reasoning for not replaying or enjoying the game as fully as possible.
- Those who agree say the game should have more meaningful choices. As we all know, the only important choice currently in the game is when Misty leaves you on Vik's roof and you have to decide, along with Silverhand what to do. No choice done during the game alters V's path. You can tell Dex and Jackie you don't want fame, and you can tell everyone you're not in for glory, but for eddies or survival. It still steers us to the "going out guns blazing" path. Depending on which side quests you finished, you get between 2 and 4 (5, if you count the secret ending) choices. Most of the choices don't matter in the end, because you just pick an ending right then and there. The users have already compared this type of ending with the infamous Mass Effect 3 so-called RGB ending. Why should we replay the game if all we need to see the other endings is choose a different answer to Silverhand's question?
- Those who disagree say the game do offer choices while you play. These choices don't need to mean different endings on different paths, they basically shape the way V floats towards the inevitable end. What matters is the trip between being a decommissioned Corpo, newcomer Nomad or rundown Streetkid and the moment where you decide how you want to go down. The replayability of the game is on how you deal with Night City on your way to your death.
Not a single ending V survives. Not even the Nomad ending.
- There are those who say even being a copy of the original V, Ctrl+V is still V. She might not be the original, but she has all memories and whatnot. It doesn't matter it's just a copy. This is a common trope in cyberpunk stories where the person is the sum of all its data, and you can transfer one's existence into another body at will.
- There are those who say Ctrl+V is not the original V anymore, so the character you fell in love and related to is dead, no matter what. You are only left with a shadow of what you actually went through the story with.
- And there are those who compare this situation with Ghost in the Shell, SOMA or Schrodinger's situations. The situation is inherently cloudy, as there is no actual way to determine how much Ctrl+V retains from V. They could be a perfect copy. Does Ctrl+V know she is a copy? Is she the same person she was right the moment before her engram was removed? She screams for she does not know.
What the DLC could bring? They will bring stuff, but how?
- The DLC could just be more and more side missions and gigs, since, the endings don't currently have a way to progress after the final mission. It would be hard for CDPR to pick a single ending to slap a post-game DLC on, as it would invalidate the other endings. In the end, the DLC will not change the outcome and will only serve as a way to inflate the mid-game.
- The DLC could be a mid-game content that would enable new endings, while still maintaining the original endings. It could bring new characters that could help V on her way to the grand finale and bring other options to the "endings" table, that could even mean she lives in the end.
- The DLC could be a post-game content that would expand on some of the endings. Users compare this to the Extended Finale DLC on Mass Effect 3, which didn't change the outcome, but gave a sense of closure to the story, rather than end the epic trilogy with a simple credits roll.
Also, moderators, if this could be pinned, I'm willing to keep it updated as the thread progresses!
Due to the 25000 character limit, I had to split the summary in more posts. Here's the continuation:
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@BGM45 and
@Simuxas expect that as more and more people finish the game in spite of performance problems and game-breaking bugs, more people will voice their insatisfaction with the current state of the story.
@AKANexus says that the only thing that prevented them from reading the Nomad ending as the "good ending" was the "6 months to live", stating that added nothing to the development of the character
@GreyRaconteur exemplifies how a sad ending mustn't necessarily mean death to the main character, citing Spec Ops The Line, where Walker, the protagonist, can choose to survive and wait for rescue while bearing the guilt and weight of his actions, potentially being worse than suicide by marines or shooting himself.
@Kikinho,
@Melra and
@Buckadoz all agree there'd a plot hole when Alt says Soulkiller will kill him, and V replies with "Yeah, we got a plan now!". V simply ignores the fact that Alt explicitly states that is not a good outcome. As
@Buckadoz states, it would be akin to have a brain cancer tumor, and someone come and say "We can vaporize your whole brain, that will kill the tumor", and replying with "As long as it saves me, I'm in".
@GreyRaconteur asks for someone to summarise this topic. [There you go!]
@hismastersvoice says whether Ctrl+V is V depends on whether you perceive V's engrams as the essence of V
@kaz_ds says that "There are ways to make something feel hopeless and emotional without disregarding absolutely everything you did"
@Cologan reminds us that even on a grim universe as Warhammer 40K's there is light at the end of the tunnel.
@Nefla is disappointed that "nothing we do matters and we just die regardless. In a supposedly choice based game it feels cheap."
@brokensaintvxvx states that there are many games about terminal ilnessess and death, citing Pyre, Beyond Eyes, Alan Wake, Hellblade, That Dragon Cancer and Deus Ex as examples. They say the point of CP2077 story is "to make due with every, single step. To carve out some means to be remembered. All of the characters surrounding you tell you this, from Jackie, Viktor, Dexter DeShawn, Misty, even Rogue, and Johnny. V says to Viktor, that he seems like he's the only person who seems happy with his lot in life, and Viktor replies that its because he's lived long enough for everyone to leave him alone. "
@kaz_ds points what they call plot holes that force V to die anyway, citing that while Johnny's construct can override V's body and live forever while not having a similar phenotype, why can't V's construct override another body? They also suggests the plot about Saburo using his son's body was inserted just to write away reasons for saving V. They state they have the creator, the blueprints and two proofs that it works, so why wouldn't it work with V?
@guerbo says they lost all the motivation for another playthrough, or even go back to before the point of no return, after seeing the other endings, and state that the main mission was too short
@AKANexus says CDPR advertised the game as "make your own path" and compares the current game to multiple paths you can take to a city, yet, they all lead to the same border crossing where you have to declare which end you want to see.
@GreyRaconteur says that having V killed at the end of The Heist and eventually finding out you are just a copy of V would feel somewhat better, because you wouldn't be as commited to V yet when you found out about that.
@Nefla complains that they believed the Heist's outcome could be affected, as marketed, yet they were like "dammit, that stupid trailer is canon" when they understood Jackie cannot be saved at all
@Notserious80 wonders why V didn't use not even one of the hundreds of instaheal packs on Jackie while he was dying. They also wonder why, while you are at the bathroom, you hear Dex making arrangements for 1 seat shuttle, making it obivous you wouldn't leave there alive, yet giving no chance to fight back.
@BGM45 points another choice that didn't matter for them - ratting out Evelyn's offer to Dex or not. 40% of nothing is still nothing.
@kaz_ds says "Even the Panam ending with a family and friends means nothing because you never even get to see it. ", and states that "endings seem to have been constructed as "V needs to die we need to do everything in our hands to shoe horn that in, regardless of story inconsistencies." "
@EnderBeta says although "It's not the destination but the journey that matters" and "Just because V dies doesn't mean that V doesn't matter as a character.", " it seems to me if the universe has so much biotech they could easily have a mechanical body that is passable as human that they could have transferred V's personality too. "
@MeinChurro says "They somehow make the suicide ending the most appealing - it's insane."
@Simuxas, as well as many others, says they would be much happier with a simple statement from CDPR that they are going to work on this
@Motsie quotes the investors meeting transcript in which, when questioned about the player's feedback, Marcin Iwiński focuses the answer only on performance and bugs/glitches feedback, stating "in general PC gamers are enjoying the game a lot and we see very positive comments [on their streams]", as pointed out by
@RayBotty
@MandyZGaming asks for an ending where you don't get sent back to the point of no return. Instead provide them with an open space to interact with romances, jobs, gigs, etc.
@Kyrus reminds us about the build up to Mass Effect final entry on the trilogy, and the infamous result
@Notserious80 and
@MeinChurro can't believe how a company like CDPR, that has written an RPG as good as Witcher 3 could forget how to create a story with choices and consequences.
@GreyRaconteur and
@MeinChurro thinks youtubers' reviews artificially inflate the game quality, calling it "the RPG of the decade" in spite of the story, bugs and performance issues.
@Nekatinyz points out the fact V has no chance of survival devalues the plot, as most players will not return to the game. They also state that "no matter how cool it is, it is a fact that the majority of people like good endings and this is the main incentive to try the game or wait for dlc."
@vahouth compares the biochip construct situation with Altered Carbon's The Stack premise, while
@Nekatinyz points out that even then it saves the life of the main character
@eriberri expects that as console players get a more stable version of the game that allows them to actually experience the endings themselves, we'll have such a large playerbase unsatisfied with the game that "will probably make the uproar we got with the ME3 endings seem insignificant."
@BGM45 expertly points out that cyberpunk "really is a masterpiece of immersion because it made several of us go and read through real corpo talk by a company trying to weasel their way out of the problems their terrible management caused. bravo." when referring to the investors meeting manuscript
@MeinChurro and
@MandyZGaming both agree the game is more centred around Silverhand rather than V. They say the story is actually about Silverhand and the game railroads the player into the original ending the writers expected.
@MeinChurro even ends his post saying "[They] wish we could all just stop talking about JOHNNY SILVERHAND. God [they] are sick and tired of that guy. ", while
@RayBotty compares the whole story to a "fanfiction written by one of the devs back in the day when they used to play CP2020. "
@Simuxas points out they missed a great opportunity by having an ending where V survives. As they put, "Everyone were waiting a long time for this game. If they managed to give us some more nicer endings game would have a lot of replayability in itself alone. ", stating that CDPR "could support game for 5-10 years with these kind of expansions. It would bring so much money for company. "
@BlackHawkV "still can't belive someone looked at that and says "Yes that is exactly what we need right now in time of global crysis; a game people were waiting for for years that gives them the chance to kill of their character in 7 different ways in the end and no chance to save them." ", while
@Rqin_ agree with them, stating "2020 has been shit, why putting such sad endings?", while pointing out that "a miracle exit, something to save you, and put this ending that almost feels like a god damn cliffhanger to a happy one [is] but high hopes, [they] doubt they'd go that far... "
@eriberri thinks if Silverhand was supposed to be to CP2077 what Geralt was to The Witcher, then the V character shouldn't even be created, as "what player would enjoy just being the pawn, the vessel, for someone else's scheme?". They also say that "it's also a sure-fire way to make people dislike Johnny, which is stupid and probably in direct contrast with CDPR's worship of the character. "
@DeeP_FOCus notes how they built a strong connection to their V (as many other did) and expects/wishes/guesses at least a DLC "that continues V's story and introduces a happy ending option (V recovers). ", and that "
Leaving V's story like this is brutal and unacceptable in [their] opinion."
@Simuxas says the tarot card percentages on the character menu mean nothing at all for the plot
@MeinChurro,
@eriberri and
@BGM45 agree that Silverhand borderline abuses the player, and, that the effect Silverhand might have on people who grew around abuse, has been, or is being abused can be dangerous to the player themselves.
@eriberri wonders if getting Reeves to play Silverhand was a ploy to sway players to actually try and like the Silverhand character in spite of him being a hateful character because Reeves is one of the most liked and cared for actor, and states "[they]'re pretty sure CDPR did not bank on people hating the endings - and Johnny - quite as much as they did."
@Kikinho says "[they]'d trade the game for a buggier version 100% if it meant [they] get to conclude the story with my V is a satisfying fashion and get to enjoy the city taken place after the story.
@Retro-_- would like to believe during the 6 months V has with Panam, they might eventually find a cure, while
@Simuxas wishes they dropped the "6 months" debacle and focused more on whether the person that survives is V or Ctrl+V.
@Retro-_- also states that "Alt tacking a finite time on seems a little pointless if we don't get to play that time, doesn't really add anything to the narrative "
@GreyRaconteur points out that the only person who would actually have that doubt is you. To everyone else, they wouldn't be the wiser, and
@Buckadoz builds upon this, saying "you wouldn't know it, because you would be dead".
@thewarsend says that CDPR misunderstood the cyberpunk genre, stating that "Cyberpunk isn't about being a hero, it is about surviving, but in CP77 even that option has taken away from us. Each romance ends badly, each story has a dark end to it and each ending in turn is terrible. It didn't need to be this way, in a role playing game there should have been the possibility for a decent enough ending. ". They also point out that even in CP2020 pen and paper RPG survival is a possibility at least. Difficult, yet not impossible.
While
@MeinChurro says "Great game ruined by the ending",
@Silariell says the game wasn't even that great, using the Jackie's inevitable death, Dex inevitable death and the Relic's inevitable acceptance. They point out, once again that any choice made during Act 1 are fake choices because "every single character involved in act 1 dies and/or becomes irrelevant"
@kaz_ds says that mid-game DLC before the ending would make little sense, as going around the city doing gigs as you cough out your lungs undermines the whole point of the time rush.
@Retro-_- and
@Silariell compare the biochip to the "MacGuffin trope" - An item whose power, when questioned within the ruleset of the world, has no answers for why it works this way but not that way, when 'that' way would basically solve everything.
@thewarsend says they think CDPR
copied terrible design choices from other developers. The false sense of urgency from Fallout 4, the horrible endings from Mass Effect 3, the faux-mmo feeling or Dragon Age Inquisition and the roleplaying choice system from Telltale Games.
@Retro-_- @MeinChurro and
@Simuxas all agree that mid-story DLC would only work if it added alternative endings, otherwise post-game DLC would only work if CDPR canonized Panam ending.
@Retro-_- and
@thewarsend point out the motto used on cyberpunk themes, "You can't save the world, only yourself" was thrown out the window with CP2077.
@lethalnoodle thinks the Panam ending filled them with hope, as V says "We'll find a way. We'll get out of here. And then we will go meet your contacts.". They say they are very happy with all the endings, because, despite some absolutely destroying them, "If a videogame can make you go through emotions that's an amazing feat. It meant that you really cared. "
@Buckadoz says that since the game blows past the real V vs Ctrl+V Soulkiller debacle, most people discussing here also disregard that situation and simply accept Panam's ending as "the one where V survives", pointing out the Reddit community is also following the same path
@MeinChurro Brings up Farscape which was a damn good series and it made me add it to my "To watch" list on Netflix again. It had Claudia Black and Ben Browder way before their Stargate era, and earns MeinChurro a personal point from me.
@Silakai suggests another ending to the story with no "depressing tragedy crap", stating that RPGs should always have different endings. Good endings for people who hate tragedy and tragic endings for those who like it.
@AKANexus skims the whole thread to summarise what has been discussed so far, and reads though 35 pages of content to create this beeeeeautiful summary post for new comers to skip over 1k posts and join the chat from the get go.
@Nekatinyz points out the game tells us more or less about its principle of operation, working on a cut-and-paste principle. When we, as the player, wake up in Cyberspace it is still the same V, and that is why the soulkiller burns the brain - first it copies the mind, then it transfer the consciousness.
@Simuxas agrees with
@djisma69 that the tarot card percentages mean zilch.
@Chibako_NuggetShib offers some suggestions on DLC content.
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That's the summary up to page 60. I believe that's enough for now.
Please, if you think I misread something you posted, or think something has been omitted from your post, do tell me so I can edit it and make it right. We need this summary to be precise, yet concise for new comers not to get lost, and easily join the conversation.