I'm sorry, good sir, but my waifu is Quen!
I've certainly got a stronger relationship with Quen than with Triss:troll:
I'm sorry, good sir, but my waifu is Quen!
I've certainly got a stronger relationship with Quen than with Triss:troll:
finally a point.
The content that is there right now, just doesn't correlates with our decisions.
Just one example:
If you don't go for Triss she'll leave to Kovir and appear right before the battle;
If you do go for Triss, what happens? I bet you can guess it! THE SAME THING. - Although she says the opposite
This is what bothers us, again, our fundamental argument is not "add more Triss" (which we would welcome) but "make Triss actions and the world around us (commentary) make sense and not feel as if we made an incorrect choice"
Btw the developers are big boys (and girls) and if they disagree with us (and with my personal interactions with them it's exactly the opposite) they'll just ignore us
So because CDPR shafted Shani, its okay to also shaft Triss. That argument simply doesn't hold water. With that reasoning they can cross off any character, to hell with consistency and community expectations. That's simply not how you make a successful game.
You can't imagine that because that is how they wrote the story. If they had written the story completely differently, you'd feel completely different. I think you're forgetting CDPR actually decides what the story and themes in the games are.
You seem to have an extremely romantic view on game writing: writers write what they like, community be damned. That's simply not how it works. It's suppose to be a give and take relationship. The most popular stories usually sprout forth from a healthy relationship between community and company(writers) and/or play in on market demands.
While I agree many companies pander too much to the community and this is what 'ruins' some games. That problem won't be fixed by simply ignoring everything the community sais and simply write whatever the hell the writers want to write.
But I already wrote something similar to one of your posts in another thread, so I'll keep it at that. One last thing though: not everything is realistically secondary to the story.
In TW2 we didn't have any romance choice, but we have it now, in TW3. We have two good thougtful characters, with thier own history and personality, Game give to us an equivalent choice, but Triss has less interactions with Geralt, less quests and communicating with other characters, They are not on equal terms.
Yes, we need Yen in the storyline, we need to introduce new(for games) character, but it doesn't mean that we have to let Triss just go away
This isn't "call to arms", people just speak their mind. That's what forums need. And CDPR are humans too, with their own vision of "right" content. Here we only want to saw what everyone of us hoped to see ingame
PS. I think my text wall reads awful![]()
It's a really tricky subject to discuss. I remember beating Mass Effect 3 and hopping on the Bioware forums where I saw the absolute firestorm about the ending. It was completely over the top and that most certainly got the attention of the developers, most likely in a bad way. Having seen how the posts went from concern to anger until a zealous mob atmosphere erupted made me pretty wary about subjects like these. I believe I've picked my words carefully and I have consciously tried to avoid "applying pressure". Furthermore, in my opinion, this thread so far has been handled in a good way by the OP, which makes me want to post here to add my 2 cents for what they're worth.
I can only speak for myself and it's pretty easy for people to ball together threads like these where posts can be coloured by emotional attachments, sometimes excessively so, but that's not been the case here. There's a lot of valid views represented here. And so, just to quickly reiterate what I said previously, these stories hit different emotional chords in different people. I was happy with what I received out of the story and Yen because that's how I wanted to play, but that doesn't mean there isn't room for improvement as I see it.
Romances in games tend to be super shallow and quite boring, the blueprints for some really interesting character dynamics are already in place with these characters thanks to the books. For me it feels like a missed opportunity to elevate it all to an overall more compelling story. One that could still be revisited since the majority of the work is already been done. I would've found exploring the emotional fallout character development something different and unique.
Having said that, I firmly believe that exploring the romance element of Yen vs Triss and tying that into not only Geralt's ending in a bigger way, but also bleed into the main story, would've made a more compelling experience. Not just for one crowd but for everyone invested in the resolution of Geralt's story.
I don't know man, you are acting like our main goal is to kick off Yenn and replace her by Triss, that's not the point. The devs wanted us to save Ciri with her "mother figure" : Yenn, and it is okay, it's "normal". But they also wanted to create a game where the player makes decisions, and the main point about a decision is its consequences. So if some players decided to go with Triss it should have an influence, maybe not a lot of influence on the main quest, but some influence.
And for the moment, choose Triss doesn't have much influence : the lighthouse, the scene with the fontain, and maybe few more but that's all. The environment, the people around are acting like : we don't care. This is the point, if you want the player to make choices, then show him the consequences, so yeah we are asking more content, or change the existing content, with Triss to show us that our choice care.
And this could be done by change little things in the main quest, not the structure of it, just some things, but it can also be done by adding/changing things around the player, like the conversations with his mates, some side quests, ect... I don't have to be only in the main quest, in "the Yenn's private garden".
It's the other stuff that I want and it's this that the game is lacking so heavily in.![]()
that we don't get many more scenes later on
I don't mean to sound confrontational but were you playing the same game as us? It has been stated time and again - Triss disappears and after that it's like the rest of the world forgot she existed. She shows up at Kaer Morhen (at Yennefer's behest by the way even though I was the one that invited her) and has very little interaction after that. She doesn't really interact with the other characters at all, nobody acknowledges her or you picking her. The only major Geralt interaction is the scene with the feather at the fountain. That scene is sweet and wonderful but in like 1 minute their future is planned, no more information for us. Why can't you go back to the Chameleon and ask her about the house, about the job, about Kovir, about being a Witcher there? Just saying it was a lot of missed opportunities on the Triss side of things and seeing as its the last game it just bums me out. That's why we take to the forums, to voice our displeasure - maybe we will be vindicated. I feel like it is futile to just sit and wait and hope though.Well, it's not that bad honestly.
The only major Geralt interaction is the scene with the feather at the fountain. That scene is sweet and wonderful but in like 1 minute their future is planned, no more information for us.
Why after choosing Triss do Yennefer and Geralt still act like lovers (kiss in Kaer Morhen) and so on.
So we go from Yen Kissing Geralt, to 'planning' a whole future with Triss.
That's just beyond weird if you ask me.
I'm sure it's NOT a bug. Really, all game had good-written story, but here it looks like someone cut out a huge piece of content and forgot to tie itMaybe it's a bug. Maybe it automatically defaults to Yen and there's a corrupted file or something. That'd be kinda cool (highly unlikely but cool nonetheless). But yeah you're probably right - it's just poor decision making & bad writing. Which is even weirder to me too - this game is so carefully written, so masterfully scripted at times (I always think of the Baron's story if you give him the chance to tell it - I watched every word in awe) that I ask myself, how could they have let that slip?
I'm sure it's NOT a bug. Really, all game had good-written story, but here it looks like someone cuted out a huge piece of content and forgot to tie it
Completely agree with everything you wrote above, but I'd like to add something to the part quoted above.
The (non combat) scene Triss + Geralt are in before this one, is the one where Yen kisses Geralt in front of Triss. So we go from Yen Kissing Geralt, to 'planning' a whole future with Triss.
That's just beyond weird if you ask me. I'd even go so far as to call it bad writing. It just feels like they either cut out a lot of Triss content. or it was added after the main storyline was completed.
Geralt made it out of the prison at the beginning of TW2 and traveled with Triss and Roche to Flotsam. How do they show that? With a 30 second cut scene where Dandelion was telling about the journey. And now bring that little scene into a book. Exactly that wouldn't be like 30 seconds cut scene. It would be atleast like 30 pages full of conversations between Geralt and Roche, Geralt and Triss etc.
I don't think it has anything to with the length or the method of storytelling. The characters in the game are only based off of the characters in the books - they have been developed on their own and are expected to be different at this point. That, at least for me, is why the book argument holds no water.
Not to mention I bet less than half the people who played all 3 games even read the books so it kind of makes the book argument meaningless.I don't think it has anything to with the length or the method of storytelling. The characters in the game are only based off of the characters in the books - they have been developed on their own and are expected to be different at this point. That, at least for me, is why the book argument holds no water.
So if I get your point you want to say that CDPR wanted those characters to become other persons or lets say develop regarding to their minds and what they feel and how they act? Would make sense. But even then I would ask myself why Geralt and Yen still act like "forever you my lovely even if u told Triss that u love her"
I wouldn't be surprised if they added it after the main storyline was complete
As much as I would like to get more scenes and dialogues with Triss, especially later in the game, I just don't think this is anywhere near true. She plays an important role for finding Ciri while you're in Novigrad; infiltrating Menge's headquarters and getting tortured in the process comes to mind, for example.
Don't get me wrong, guys - I'm really sharing your disapproval of how things get handled along certain parts of the main story and later in the game. I just don't think we're doing justice to CDPR by throwing around these kind of conspiracies.
As much as I would like to get more scenes and dialogues with Triss, especially later in the game, I just don't think this is anywhere near true. She plays an important role for finding Ciri while you're in Novigrad; infiltrating Menge's headquarters and getting tortured in the process comes to mind, for example.
Don't get me wrong, guys - I'm really sharing your disapproval of how things get handled along certain parts of the main story and later in the game. I just don't think we're doing justice to CDPR by throwing around these kind of conspiracies.
As much as I would like to get more scenes and dialogues with Triss, especially later in the game, I just don't think this is anywhere near true. She plays an important role for finding Ciri while you're in Novigrad; infiltrating Menge's headquarters and getting tortured in the process comes to mind, for example.
Don't get me wrong, guys - I'm really sharing your disapproval of how things get handled along certain parts of the main story and later in the game. I just don't think we're doing justice to CDPR by throwing around these kind of conspiracies.