First, they come from Sapkowski´s books, that is not a very coherent author. For example, I´m pretty sure that when he first started writing about Duny in the first book, he didn´t know that in the last book she was going to be the emperor of Nilfgaard. The same happens with the characters. The Yennefer that in the second book cheats Geralt during two years with a mage, don´t gives a shit about Geralt´s feelings and don´t even wait to see if Geralt and the mage kill each other is not the Yennefer of later books, when she becomes in something like a guardian angel of Geralt, caring about if he´s tricked with the money in his contracts, even when they are no more a couple and they haven´t met each other in a long time. The Triss that is so deeply in love with Geralt in the third book and considers Ciri as a sister is not the same Triss that later puts the interest of the Loggia over the interest of Geralt and Ciri.
It´s not evolution in the characters, it´s that the author sometimes don´t know what he actually wants to say. There is no "unity" of characters and plot along the books. The proof is that he writes a lot of books about the destiny of Ciri and the prophecy, and at the end of the books, we don´t know what is really that destiny of Ciri and what is the prophecy real meaning, we have to wait until TW3. The books is a saga finished in false, as if the writer becomed tired and finished the books anyway. That´s my opinion.
And here I thought that twisting the plot is what makes an author interesting and pleasant to read. How is that incoherent?
The examples you mentioned are mostly pointless. You dislike his writing, I get it, but your points aren't compelling either.
First thing was about Emhyr, how does his character developement make Sapkowski's writing bad? You said you are sure that Sapkowski didn't know how he would treat the character from the beginning and even if that was the case, then what?
Second thing was about love - nothing wrong with such a plot, as it is not only a common trope, but also something most of us experienced / will experience in life. If you find their love story unreasonable, then good for you, since "such things" usually aren't within reason, so your perception isn't completely wrong. But your take on the topic isn't corresponding with the story written by Sapkowski. There has been a lot of talk about Shard of Ice in Yennefer's topic lately, if you want you can read about it and/or discuss it there. I don't want to discuss it now, just going to say that Geralt is also to be blamed.
Third thing you mentioned was Triss and her character development. If you've read the books AFTER playing the games, then I honestly can't blame you at all. I suppose it can really come as a surprise to you that she had a difficult past, first and foremost being rejected, then making mistakes such as trusting "wrong" people and picking "wrong" sides. For her it didn't seem as a "bad" choice back then, because she was just maturing and trying to find her place in life - imagine how hard it must've been for her if you take her mental scars into account. Sometimes she stumbled and sometimes she fell, but in the end she always got up, which is what makes her character believable and relatable... Triss overcame her inner demons towards the end of the saga or at least took the very first important step. And that's what I missed in the games, she was a different character there lacking the aftermath of her past and the crucial character refinement point from LotL.
The worst mistake was making Triss a relationship option for Geralt in The Witcher 1. That was never meant to be, which is what she had to deal with in the books, soak up the pain, get over it and move on (she did). When you decide to cross that border, it's obvious that her portrayal is going to suck in the games. So yeah, it can be hard to process her character with all its pros and cons, especially after experiencing that dull romance to please the masses. It's sad that it works tbh.
If you've read the books first and then played the games... I don't know what to say lol... In my opinion Sapkowski nailed Triss perfectly, as a very tempting Freudian bait for Geralt and the opposite of Yennefer, also the type of fantasy woman that the author himself dislikes. He shaped her character step by step, which is enjoyable to read. Very much like Geralt.
Anyway it just saddens me greatly that some people truly find Sapkowski's way of writing poor, as if he didn't know what he wanted to say. Do you want characters who are easy to predict? You really want to know what happens next? How is that interesting to read at all? It was the unexpected development of characters that kept me reading. No unsuitable plot twisting or deus ex machina. Everything important usually made sense (except for Vilgefortz, not that he was any important though).
I'm kinda glad that you've mentioned destiny... You want it to make perfect sense? All the prophecies and destiny itself? Let me ask you a question: what would be the point of it then? It's a working trope which shouldn't be clear and we aren't supposed to know its "real" meaning. Again, it makes the reading more interesting. Which is where TW3 failed miserably.
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