Sycophant said:Modify it, sure. That's necessary if the team thinks that it is excessive. But remove it completely? That lack of faith in their work does not bode well for the story as a whole, and is also too extreme a measure. It makes me think that their story will be a mess.
KnightofPhoenix said:It's a lack of faith in Gaider's work.
But we have no idea what the plot is about. I'll give them the benefit of he doubt and say that if they unanimously agreed that the scene would be better off cancelled, that it was probably the right call.
KnightofPhoenix said:Another reductio ad-absurdum.
No, a writer should be mindful of people's feelings and should be careful when writing scenes with controversial material.
AgentBlue said:Then you're mistaken as to what art in general, and fiction in particular is.
For example, should Seven's David Fincher have held back?
Should Pasolini in his «Salò, or the 120 Days of Sodom» have been mindful of people's feelings?
Please.
It's up to the spectator to determine whether his or her own sensibilities will be at risk. That's what adults do.
AgentBlue said:Then you're mistaken as to what art in general, and fiction in particular is.
For example, should Seven's David Fincher have held back?
Should Pasolini in his «Salò, or the 120 Days of Sodom» have been mindful of people's feelings?
Please.
It's up to the spectator to determine whether his or her own sensibilities will be at risk. That's what adults do.
But if I understood the article correctly, it's like a lot of people are finding rape where there is none. I have a hard time believing Gaider would actually write a rape into the story without noticing it. I didn't understand it that he wrote a rape romantically or goofily..KnightofPhoenix said:Evidently you didn't read the part you conveniently cut out. So I'll just paste it and bold the parts that answer you:
"In other words, I believe that rape is a subject that writers can deal with, if and only if said writers take it seriously and do not shrug it off as "lol funny" or perhaps worse "aww it's romantic."
If they are incapable of dealing with the subject matter with the gravitas and seriousness it needs, they are better off avoiding it or face the consequences of their sloppiness and accept aggressive criticism."
To simplify it, an artist can portray whatever he / she wants as long as it is done with the appropriate seriousness it needs. Otherwise, they should accept criticism.
KnightofPhoenix said:Evidently you didn't read the part you conveniently cut out. So I'll just paste it and bold the parts that answer you:
"In other words, I believe that rape is a subject that writers can deal with, if and only if said writers take it seriously and do not shrug it off as "lol funny" or perhaps worse "aww it's romantic."
If they are incapable of dealing with the subject matter with the gravitas and seriousness it needs, they are better off avoiding it or face the consequences of their sloppiness and accept aggressive criticism."
To simplify it, an artist can portray whatever he / she wants as long as it is done with the appropriate seriousness it needs. Otherwise, they should accept criticism.
AgentBlue said:Oh but I did read it.
No sacred cows.
Have you ever been to a stand up comedy act where they routinely joke around about the likes of rape, murder, physical deformities and what not? Sure, anyone is free to throw harsh criticism at them.
Should they care?
Not a rat's rear end.
Do not mistake art, fiction, humour and entertainment at large for moral manifestos.
The problem is that people are starting to care and forbidding people to express themselves.AgentBlue said:Have you ever been to a stand up comedy act where they routinely joke around about the likes of rape, murder, physical deformities and what not? Sure, anyone is free to throw harsh criticism at them.
Elida said:The problem is that people are starting to care and forbidding people to express themselves.
Sycophant said:You seriously want to go there? How about Mass Effect 2 not mattering at all? Or Leliana from Dragon Age Origins who still lived once you chopped her head off? Bioware's reaction to that was priceless. http://imgur.com/D9QrXbD
Sycophant said:This one.
Well, the consequences SHOULD have mattered in TW2 a LOT because it IS a direct sequel. As I said before, waking up with Triss in bed left me with a very bad taste in my mouth and no one gave a shit whether you sided with the Scoiatael or Siegfried when it was quite obvious that they should have.
This is how I would have done it:
-If you chose the neutral path, the dialogue and everything else is exactly the same.
-If you chose Siegfried, Iorveth is much more hostile to you and it would be harder to side with the Scoiatael. It also makes Roche vouch for your innocence much faster and also treats you friendlier than usual. Flotsam and Loredo also treat you better.
-If you chose Yaevinn, Roche finds out in La Valette dungeons and wants to kill you. Your job is to convince him not to kill you and to trust you. Even so, he maintains a hostile tone with you throughout the game. Flotsam and Loredo are also openly hostile to you in the beginning.
Elida said:But if I understood the article correctly, it's like a lot of people are finding rape where there is none. I have a hard time believing Gaider would actually write a rape into the story without noticing it. I didn't understand it that he wrote a rape romantically or goofily.
AgentBlue said:Well, if the issue is that artists or writers should expect criticism, why, sure. They should.
From people whom do not understand what art, humour are about.
That's one of the perks of living in a free society. Everybody is free to voice their concerns.
If I were to write a novel where the protagonist is psychotic rapist who shows no remorse for his actions and depict the scenes accordingly, showing his seeming detachment, how on Earth would anyone be justified in criticizing me?
If you fail to understand why humour, in particular, is precisely more needed and useful regarding this gruesome matters, then you do not understand humour at all.
Bunuel and Dali shot a surrealist movie called «Un Chien Andalou» where a man slices up the eyeball of a woman. There is no vestige of emotion on his face. His demeanour is that of a zealous accountant.
Go watch that.
AgentBlue said:you do not understand humour at all.
If I were to write a novel where the protagonist is psychotic rapist who shows no remorse for his actions and depict the scenes accordingly, showing his seeming detachment, how on Earth would anyone be justified in criticizing me? Would I be endorsing serial rape? Would I be preaching on the virtues of sadism?
KnightofPhoenix said:I do not give a damn what you think I understand or not, that was not the subject of the discussion.