Yeah I kinda went on a rant there, but as I said later, from my point of view there is nothing new, beautifully retold or interesting in the story. I respect (I really do) those who think that way, but all I see is the same "understand human nature" piece that has been written at least three times a year since 4000 BC.
Okay, so you are pushing 50, you have invested your time to learn about lot's of things, unsubscribed from the most of them, yeah that can happen, and stick with some things. You wrote earlier how world is depressing and game is depressing and now you are depressed.
Hate or like the the game, but for mature person, if a book, a movie, a video game flips you to state of depression because it wasn't a story following a Hollywood action movie formula are you sure that problem here is just how endings were written.
And you had other post about how the cyberpunk isn't sometimes dark. Let's review your examples.
Blade Runner: Protagonist had six month to live, then ending from other cut became canon as they made a sequel, which... I don't think you have seen that.
Robocop: Murphy had special tolerance process and doesn't kill himself right after waking or go outright crazy, like all other experiments before him. He is encased in that shell, his memory is all messed up, he has no reproductive organs, only sensorial pleasure available for him is baby food he can eat.
Ghost in the Shell: Motoko doesn't own her body. Opening crawl of movie is about her artificial body going through very complex machinery that keeps it functioning. Technically she could perhaps end her contract with PSS9 or just run away, but she could never be able to maintain functioning body without all that tech PSS9 has. She is in indentured servitude at best, slave at worst.
Fallout (which is actually EX Cyberpunk, since it's set in a post-apocalyptic cyberpunk world). Nope, retro futuristic.
Demolition Man: Everybody is nice! We don't even swear or do anything that could offend anyone! Beeb, Beeb, Beeb... World in some aspects very much like ours, which you don't feel so great about.
Matrix: You know how trilogy ends? (well there's now four movies though).
Judge Dredd: He is genetically and medically enhanced freak to be able to function in Mega City, no personal goals, no sexuality.
Ultraviolet: one of those movies that I watched and don't remember anything about it. Milla Jovovich with a sword? Okay maybe.
Shadowrun (and Cyberpunk tabletop game too): are social and I don't think they would work with such a plot as CP 2077.
Minority Report: Clone's sacrifice.
Anyway, items on your list have has for all but Blade Runner one thing in common, protagonist power. No matter how mutilated they are, hopelessly dependent, living in shithole dystopias, but they have power and through that power they survive to encounter their next nightmare.
So what we have produced for over last hundred years or so? The amount of winning against all odds stories on novels, movies, tv-shows, comics, games, whatever medium one can think miniscule amount of products with some philosophical depth. Hundreds, perhaps thousands of meaningless shit to distract us from banality of life is produced every year and more will be produced.
Those citizens of the Night City in their apartments, single bed, sometimes dirty as heck, but there was one thing there worth money, a braindance machine. What you thought about that?