Militech was a huge missed opportunity too, imo. Especially with Stout clearly being meant to have a bigger role in the game.
Yeah initially as I was playing it I thought it could go down the line of Militech vs Arasaka intel.
Militech was a huge missed opportunity too, imo. Especially with Stout clearly being meant to have a bigger role in the game.
Yeah initially as I was playing it I thought it could go down the line of Militech vs Arasaka intel.
Nope. Did you enjoy your 15 minutes of corpo life?
I didn't
In the lore nobody really knows who set the bomb off. At least in all the lore before Cyberpunk Red. In Cyberpunk Red it confirms Johnny and his team detonates the bomb but due to resistance from Arasaka and Adam Smasher the bomb goes off on the 12th floor over 300 meters above ground instead of under the tower in a heavily shielded room. This is why the bomb kills over 500k people. Yes, he is a terrorist and has a very 2 dimensional attitude towards corpos but the lore is correct.
But I dislike the ending to the game anyway and just hope DLC adds more because it does feel like the quest designers got lazy towards the end and much more possibilities could have been explored.
Arisaka is the company corpo V worked for, and fked u over.
Militech was a huge missed opportunity too, imo. Especially with Stout clearly being meant to have a bigger role in the game.
Corpo is the weakest lifepath, its like after intro the path gets deleted.
Nope. Did you enjoy your 15 minutes of corpo life?
I didn't
Yeah she already has the Tsundere thing going on which could have been expanded to an Arasaka V vs Militech Stout situation.Please don't open - That Wound - wanted to romance her thought my corpo v and she would fit perfectly and I could get to miltech with her to the tops. Than the sex scene where I thought yes.. Put a ring on it. She is the one for my "gluten for punishment" V - and then.. Well play the story to find out (for the others to not spoil to hard xD)
Wanted Hanako too. Sad.And since Judy dropped us, give us Hanako instead.
THANKS
Here is the thing. You DON'T have to listen to anything that Silverhand tells you.
Some of the more interesting outcomes are when you don't listen to him. (Avoiding spoilers) The fact that most people will listen to Silverhand instead of making up their own mind is more telling about the human psyche than anything else. It's what sci-fi is all about.
I'm not just blowing smoke. The data shows it. Cool thing about Steam is it shows people's % that have done what content via achievements. If you think the game is rail-roading you it's because you let it.
Perhaps all of this is because they intend to bring Silverhand back for future Cyberpunk games.They writers just want you to give Johnny your body. The try to railroad you the hole game to this ending. And they do it, because it is Keanu. Don't get me wrong, i like him as a person and actor, but in no fucking way, will i surrender to a mass murdering terrorist. There is no redemption for terrorists, murderers or pedos. They all lost the right to be treated as humans.
Period.
Those monsters deserve to die in agony, nothing more, nothing less.
That is, why for me, there is only one acceptable ending if i would still play the game.
They want you to think that Arasaka are the bad ones. Arasaka has the Tech to save V, but the game is not about V it's all about Johnny, your number one terrorist. Besides, original V is already dead after the Heist.
The story is just not good. After the Heist, it should only be Johnny, with that i could have get along. But as it stands now, there is no reason to play the game anymore. Atleast for me.
To be honest hope the DLC expansion just move on from V story, because the ending basically tainted it.
Actually, if you consider the montage you get after lifepaths only the street kid makes sense chronologically because of Padre.The only lifepath that kinda makes harmonious sense in the game right now is the Nomad, the other two have problems.
Arasaka really aren't the bad guys for V tho.The "bad guy" needs to be someone. For a story to exist, there must be some kind of antagonist, some sort of conflict... SOME problem that the characters must overcome or, at the very least, work to achieve... some... overall goal. For this, this usually needs to be some kind of pushback in the form of a bad person, thus... this group.